I wish I was a photographer.
Seriously. Nearly every day, I am confronted by at least one sight
that I wish to capture. Not to become famous or wealthy from
publishing, mind you. But rather, so that I can retain that image in
my mind's eye; free of fading from lack of frequent enough retrieval,
or attenuation from the passing of time -- so I can share it with
others who were not there with me to experience the real thing.
Sometimes, the desired image is an awe-inspiring spectacle, a view of
nature's gentle beauty or unbridled fury. Other times, the stark
contrasts in lighting or incongruous content seem to shout out even
to a non artist's soul such as mine, as if to say, “Over here! I
am an image worth preserving!”
And then, I generally berate myself
inside my own head for not having a way to take the picture as I
don't generally pack a camera around with me. Or, on the rare
occasions when I DO have a way to take a picture, the resultant
pixels never even remotely match the allure or grandeur that I had
hoped. Oh wow, another scenery picture not even good enough to be a
postcard for my friend's great-aunt's next-door neighbor. (You see
what I did there? Who would even send a postcard to one's friend's
great-aunt's next-door neighbor? Ridiculous) In a word, “Lame
picture.” (okay, two words)
When I do happen to get the composition
of a picture to my liking, the image clarity, contrast, or colour
saturation still tend to be a letdown. (I would have added 'depth of
field', but I make it a point not to speak of things of which I know
nothing) Even Picasa's “I'm Feeling Lucky” magic button can't
save it, generally speaking. It makes me want to go out to purchase
a REAL camera worthy of the content, though I realize that there is
more to it than fancy gadgetry. And besides, I'm cheap.
The problem is, much of the time it is
not the camera's fault. Several swirling factors play a role in the
mad Sudoku that is successful photography: Technology, Training,
Timing, and Talent. That I am generally captivated by still images
means that I have Timing in my favour (minus the exposure time of
course, but that's a tech and training issue). Training is clearly a
deficit area as well to date, something I realize all too well when I
acknowledge that I don't know my Aperture from my F-stop. But the
kicker for me, sadly, is Talent. I lack it.
Have you ever heard of a disposable
camera? They were out there as a low cost, better than nothing
option for the occasional memory capture. The results almost always
fit the bill, if only barely. Well, even with a real camera, I am
capable of creating numerous disposable images. In an era when even
a point-and-shoot camera is relatively robustly capable, the majority
of images I take with them are 'flush-and-forget'. But enough of
self-aggrandizement, I like to keep up a pretense of humility.
Hey, I do not have a gifted eye for how
images will appear inside the bonds of the frame to which they will
be limited. I look at a life-sized image or experience, and fool
myself into believing I can re-produce it. Now, I have some friends
who get much closer to accomplishing this. My daughter has an
artistic eye for imaging things (which is why she is the one with a
real camera). But alas, I do not have an accurate concept of what is
possible. Or rather, not possible.
AND YET...
Some scenes of images that got away
just today remain vivid in my mind:
- The way the quickly moving low
clouds glowed red as I left the house, illuminated by the lights of
the city while the cover higher up remained midnight black.
- A solid bank of sleight gray clouds
in full retreat, like a reverse haboob, only with a thin sliver of
sky visible underneath. Smaller clouds appeared much whiter above
and below the storm mass and appeared to have been made by the
coarse, swooshing strokes of a paintbrush on a dark canvas. In the
foreground, the yellow of the rolling hills, now harvested, appeared
to be intensified in the early light.
- The tops of a bank of wind turbines
poking out the top of a deep fog bank as if to greet the rising sun.
- The small stand of poplars this
morning shimmering bright yellow in the indirect sunlight, braced by
by two unknown trees bedecked in deep red. The sky backdrop was such
a deep and perfect blue that it appeared to be artificial. The
colours were so sharp, though I admit that the sound of the rustling
leaves were also a draw, one that would not have made it into the
image even if I HAD gathered it. Then, the wind whipped up into a
near gale all day and there was scarcely a leaf between all off the
trees when I left for home. Perhaps next year...
So many scenes in the course of driving
to work in a single day, and yet no one there to share them with. I
supposed I SHOULD have taken a camera with me and given an attempt to
take some pictures along the way. If nothing else... hey,
postcards!!